![]() ![]() ![]() (Audiobro Remote Control) allows you to set the stage position, width, EQ and reverb colour of every individual divisi section. Stage and colour is a clever script that in conjunction with the A.R.C. Because it works in conjunction with auto arrange it's easy to create accented chords followed by rhythmic pulses which split in and out of harmony. It's easy to create rhythmic passages that would take ages to play and program and the round robin samples mean that even with fast repeated notes it sounds natural and realistic.Ĭoming off the sustain pedal stops the script so it is possible to just play and bring it in and out as needed. The script has a step sequencer feel to it and you can adjust velocity and time signature. "It's easy to create rhythmic passages that would take ages to play and program" ![]() Tempo comes straight from the DAW and off you go. ![]() All you do is call up a preset script, or program your own, and then hold down the sustain pedal and hold the note or notes. script to simplify the playing of rhythmic passages. As well as having the same divisi possibilities in every non-legato patch (such as staccato) you can also use the A.R.T. One of the most time-consuming tasks in string programming is rhythm. The fact that you can play that on one MIDI channel means ideas can be played directly and that really increases both workflow and creativity. If the second violins play a three-part chord while the firsts all play a melodic line, the chord will have a different sound as you have less players on each note. This is called divisi and is a major part of why string orchestras sound the way they do. Then if you play a single note line you get everyone playing together, but as soon as you play harmony it splits the sample sets up according to the defined rules and you get something that sounds incredibly close to the real thing. By using the auto arrange script (switchable on each individual instrument patch) you can then put all the instruments in a section onto the same MIDI channel and give it some rules, such as in three-note harmony the highest note is played by first chair and section A, second note B and lowest C. You get first chair (a solo instrument) and then sub sections called A, B and C. What Audiobro has done is split every section into four. As you increase harmonic density so the size of your orchestra increases at the same speed that reality decreases. Suddenly you have doubled the number of players. ![]()
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